Samurai cinema - Wikipedia. Chanbara(. Chanbara is a sub- category of jidaigeki, which equates to period drama. Title details and video sharing options. The master Kambei (Takashi Shimura) and his. 50 Classic Chambara and Jidaigeki style samurai films. Of course there are countless more but this is a good place to start for anyone interested in this genre. Assistir The Last Samurai Online (2003) - Informa On a planet where humans must scavenge the post-apocalyptic barren wasteland, Hirokin, a reluctant samurai with a dark past sets off on a mission to. Directors Steven Spielberg and Martin Scorsese are among those who pay tribute to celebrated Japanese actor Toshiro Mifune in this Telluride doc.Jidaigeki may refer to a story set in a historical period, though not necessarily dealing with a samurai character or depicting swordplay. While earlier samurai period pieces were more dramatic rather than action- based, samurai movies post World War II have become more action- based, with darker and more violent characters. Post war samurai epics tended to portray psychologically or physically scarred warriors. His samurai, and many others portrayed in film, were solitary figures, more often concerned with concealing their martial abilities, rather than showing them off.
The samurai film hence often focuses on the end of an entire way of life for the samurai: many of the films deal with masterless ronin, or samurai dealing with changes to their status resulting from a changing society. Samurai films were constantly made into the early 1. Japanese film industry put a halt to most of the production of this genre. He directed Seven Samurai, Rashomon, Throne of Blood, Yojimbo and many others. He had a long association with Toshir. Mifune himself had a production company that produced samurai epics, often with him starring. Two of Kurosawa's samurai movies were based on the works of William Shakespeare, Throne of Blood (Macbeth) and Ran (King Lear). A number of his films were remade in Italy and the United States as westerns, or as action films set in other contexts. It also illustrates some of the conventions of samurai film in that the main characters are ronin, masterless unemployed samurai, free to act as their conscience dictates. Importantly, these men tend to deal with their problems with their swords and are very skilled at doing so. It also shows the helplessness of the peasantry and the distinction between the two classes. Masaki Kobayashi directed the films Harakiri and Samurai Rebellion, both cynical films based on flawed loyalty to the clan. Kihachi Okamoto films focus on violence in a particular fashion. In particular in his films Samurai Assassin, Kill! The latter is particularly violent, the main character engaging in combat for a lengthy 7 minutes of film at the end of the movie. His characters are often estranged from their environments, and their violence is a flawed reaction to this. Gosha's films are as important as Kurosawa's in terms of their influence, visual style and content, yet are not as well known in the West. Gosha's films often portrayed the struggle between traditional and modernist thought and were decidedly anti- feudal. He largely stopped making chambara, switching to the Yakuza genre, in the 1. Some of his most noted movies are Goyokin, Hitokiri, Three Outlaw Samurai, and Sword of the Beast. Kenji Misumi was active making samurai films from the 1. He directed roughly 3. Lone Wolf and Cub films, and a number in the Zatoichi series. An excellent example of the kind of immediacy and action evident in the best genre is seen Gosha's first film, the Three Outlaw Samurai, based on a television series. Three farmers kidnap the daughter of the local magistrate in order to call attention to the starvation of local peasants, a ronin appears and decides to help them. In the process, two other ronin with shifting allegiances join the drama, the conflict widens, eventually leading to betrayal, assassination and battles between armies of mercenary ronin. The film was a huge success. Rurouni Kenshin was theatrically released on August 2. Japan, grossing over $3. November 2. 01. 2. It was released in DVD on December 2. The film has been licensed for distribution in over 6. Europe, Latin America and Asia. The movie premiered in North America as an opening selection for the 2. LA Eiga. Fest in December 1. Two sequels titled Rurouni Kenshin: Kyoto Taika- hen and Rurouni Kenshin: Densetsu no Saigo- hen were released in 2. Popular characters in samurai films. While less known in the West, he is arguably the most famous chanbara character in Japan. Crimson Bat. Her character was a blind female sword fighter, and made in response to the huge success of Zatoichi. Nemuri Kyoshir. As a result, Kyoshiro despised both Christianity (which he considered weak and hypocritical) and the Shogunate government (which he considered corrupt). Miyamoto Musashi. The character is nameless, but when required gives the name Sanjuro (which means . Mifune later played analogous roles as a nameless wandering ronin called Yojimbo (. In a series of over twenty films, Saotome craves action to fight the boredom he feels when not pitting his sword skill against those who would corrupt Japan. Tange Sazen. He's been played in numerous films by Denjir. In the first film, Ichibei was a secret agent of the Shogun himself sent to investigate a secret deal by the Satsuma clan with a Dutch warship involving repeating rifles to be used in an uprising against the Shogunate; he at first clashed with but later teamed up with Kagero, a female Iga ninja sent by the Shogunate Council on the same investigation. In the next two films, Ichibei had become a local doctor who moonlighted as a bounty hunter to finance his free clinic for the poor; Kagero (who had also turned bounty hunter) and his clinic assistant Chie were the only ones who knew of his double life. In the TV series Shokin Kasegi, Ichibei was now the principal of a free school for orphans and children of local poor folk, but still worked as a bounty hunter to keep the school running, usually on jobs sent on by the Finance Minister; Kagero and Chie (who were still the only ones who knew his double life) worked with him as school staff (Chie in charge of school finances and Kagero as . Kagero usually accompanied Ichibei on jobs, but many times they would work with other bounty hunters (depending on the skills needed to bring in a bounty). This series was different from most, as both the protagonists and the villains also relied on a number of different repeating firearms. Himura Kenshin. Kenshin is a former legendary assassin known as . Kenshin wanders the countryside of Japan offering protection and aid to those in need, as atonement for the murders he once committed as an assassin. In Tokyo, he meets a young woman named Kamiya Kaoru, who invites him to live in her dojo despite learning about Kenshin's past. Throughout the series, Kenshin begins to establish lifelong relationships with many people, including ex- enemies, while dealing with his fair share of enemies, new and old. The character is portrayed by actor Takeru Satoh in three live- action versions of the story (Rurouni Kenshin, Rurouni Kenshin: Kyoto Taika- hen and Rurouni Kenshin: Densetsu no Saigo- hen) directed by Keishi . Samurai warriors, in film, are differentiated from other warriors by the code of honor, bushido, followed to honor the samurai's leader. Bushido did not become codified till the seventeenth century. A samurai must perforce be skilled in warfare and martial arts and ready to defend his honor even to his death. If not able to defend his honor, a samurai may choose to commit self- disembowelment, seppuku, in order to save reputation or . In Harakiri, Hanshiro Tsugumo takes revenge on the house of Kageyu Saito for the loss of his adopted son- in- law, who was forced to commit suicide by the house of Kageyu Saito. The house of Kageyu Saito refused to give the son- in- law money. Because he had asked to commit suicide he was forced to perform self- disembowelment, with a remarkable twist not revealed in this discussion. Hanshiro knows an example was unrightfully made of his son- in- law in order to discourage the asking by impoverished samurai for donations from the house of Kageyu. In film, motivation may vary but the samurai. For instance the Sengoku era (1. Japan torn by civil war as daimyo warlords fought for control of land. In the Tokugawa era (1. In the Meiji era (1. In this period the ideal of the samurai and the code of bushido are popularized into the military warrior. The time frame meant changes in the sorts of conflicts for the samurai to fight and film would capture their resistance against overwhelming odds. A recurring conflict the ideal samurai encounters is the ninjo and giri conflict. The conflict originated from overwhelming control of the Tokugawa bakufu government over the samurai. Often samurai would question the morality of their actions and are torn between duty and conscience. This conflict transcends eras in samurai films and can create the perception of the protagonist as being the moral underdog or steadfast warrior. In The Last Samurai, Katsumoto is no longer of use to his emperor and sentenced to self- disembowelment. He goes against his duty to follow through with his sentence and flees to fight his final rebellion against the central government. Ninjo and giri conflict is dynamic to the character of the samurai. The samurai warrior is often synonymous with his/her own sword. Although swordsmanship is an important aspect of warfare, idealizing the samurai and the sword as having a bond is an invented ideal. The Tokugawa period saw a change in the type of warfare, as combat shifted from the bow and arrow to close range combat with handheld weapons, and competitive sword competition. There are a number of themes that occur in samurai film plots. Many feature roaming masterless samurai, seeking work or a place in society. Others are period historical tales of true characters. Others show tales of clan loyalty. Since then both genres have had a healthy impact on one another. Italian director Sergio Leone's A Fistful of Dollars and Walter Hill's Last Man Standing are both remakes of Yojimbo. Clint Eastwood's . The Hidden Fortress influenced George Lucas when he made Star Wars. Seven Samurai has been remade as a Western and a science fiction context film, The Magnificent Seven and Battle Beyond the Stars. Other samurai influenced western movies include Charles Bronson and Toshir. Seven Samurai (re- release) Reviews - Metacritic. Universal acclaim- based on.
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